Gillian Ebersole

Gillian EbersoleGillian EbersoleGillian Ebersole

Gillian Ebersole

Gillian EbersoleGillian EbersoleGillian Ebersole
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    • home
    • about me
    • performance
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    • photos
  • home
  • about me
  • performance
  • publications
  • photos

publications

poetry
essays
dance criticism

poetry

THE WATER BETWEEN US

Headmistress Press

January 2021

more information

POEM FOR THE PLACES I AM IN THE CLOSET

The Lindenwood Review

February 2022

I DON'T KNOW HOW TO FIT THESE THINGS TOGETHER

In Parentheses Magazine

October 2021

GENDER IS THE GOLDEN CALF

In Parentheses Magazine

October 2021

JONAH

In Parentheses Magazine

October 2021

DO ALL LOVERS FEEL AS IF THEY ARE INVENTING SOMETHING?

In Parentheses Magazine

October 2021

GARDEN ELEGY

In Parentheses Magazine

October 2021

poetry (continued)

SUBARU SONNET

Stone of Madness Press

March 2021 

THERE ARE NO MORE SPECIAL OCCASIONS

Kissing Dynamite Press

February 2021

BALLET CLASS

Serotonin Poetry

February 2021

CLOSET SONNET

MAYDAY Magazine

January 2021

ON DRIVING AROUND TO DELAY THE INEVITABLE

Indolent Books

December 2020

WOOZY

Lavender Review

December 2020

THERE IS NO DOWNSIDE TO OPENING THE HEART

Weasel Press

December 2020

SONNET FOR A QUEER WEDDING AT CANA

Weasel Press

December 2020

DANCE CLASS

Pomona Valley Review

August 2020

FRIDAY THE THIRTEENTH

Pomona Valley Review

August 2020

QUEERING QUEER

Pomona Valley Review

August 2020

BROTHER

Attic Salt Interdisciplinary Journal

March 2019

essays

SURVIVAL IS INSUFFICIENT:

EMBODIMENT AND VIOLENCE IN A POST-APOCALYPTIC WORLD

May 2020

EN CROIX: A CHOREOGRAPHIC STUDY OF TRANSLATION

May 2020

MAKING MASCULINITY:

THE PERFORMANCE OF GENDER ONSTAGE AND IN THE STREETS

Loyola Marymount University William H. Hannon Library Digital Commons

April 2019

MALE GAZE THEORY AND RATMANSKY: 

EXPLORING BALLET'S ABILITY TO ADAPT TO A FEMINIST VIEWPOINT

Loyola Marymount University William H. Hannon Library Digital Commons 

April 2018

RESTRAINT AND VULNERABILITY:

MONICA YOUN'S MEDITATION ON THE FEMALE BODY

Criterion Journal of Literary Criticism

March 2018

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LA Dance Chronicle

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Bachtrack

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blog

The Water Between Us

published January 2021

Born to break our hearts, these exquisite, dusk-blinding, quotidian and cancer-que poems seem to bruise easily, seem to breathe the language of queerness with such tender accusation, seem so fearless in their candid vulnerability. How can one not love a collection that has the following lines in its last two stanzas: “god is a highchair toddler / who laughs when her feet touch the grass”?  or ends one of its poems with this ideal cheekiness: “The Spanish word for dress / is masculine.” These raspberry colored poems here are so smart and so transformative that they are capable of teaching anyone’s tea kettle how to stop sweating entirely. 

~ Vi Khi Nao, Judge of the Charlotte Mew Chapbook Contest  

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