Gillian Ebersole

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Gillian Ebersole

Gillian EbersoleGillian EbersoleGillian Ebersole

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Publications

MULTIPLE CHOICE FOR THE QUEER CATHOLIC

Atticus Review

April 2024


EMILY DICKINSON IN THE QUEER CLUB

Stone of Madness Press

January 2024


POEM FOR THE PLACES I AM IN THE CLOSET

The Lindenwood Review

February 2022


I DON'T KNOW HOW TO FIT THESE THINGS TOGETHER

In Parentheses Magazine

October 2021


GENDER IS THE GOLDEN CALF

In Parentheses Magazine

October 2021


JONAH

In Parentheses Magazine

October 2021


DO ALL LOVERS FEEL AS IF THEY ARE INVENTING SOMETHING?

In Parentheses Magazine

October 2021


GARDEN ELEGY

In Parentheses Magazine

October 2021


SUBARU SONNET

Stone of Madness Press

March 2021 


THERE ARE NO MORE SPECIAL OCCASIONS

Kissing Dynamite Press

February 2021


BALLET CLASS

Serotonin Poetry

February 2021


CLOSET SONNET

MAYDAY Magazine

January 2021


WOOZY

Lavender Review

December 2020


THERE IS NO DOWNSIDE TO OPENING THE HEART

Weasel Press

December 2020


SONNET FOR A QUEER WEDDING AT CANA

Weasel Press

December 2020


DANCE CLASS

Pomona Valley Review

August 2020


FRIDAY THE THIRTEENTH

Pomona Valley Review

August 2020


QUEERING QUEER

Pomona Valley Review

August 2020


BROTHER

Attic Salt Interdisciplinary Journal

March 2019


 SURVIVAL IS INSUFFICIENT:

EMBODIMENT AND VIOLENCE IN A POST-APOCALYPTIC WORLD

May 2020

 

EN CROIX: A CHOREOGRAPHIC STUDY OF TRANSLATION

May 2020

 

MAKING MASCULINITY:

THE PERFORMANCE OF GENDER ONSTAGE AND IN THE STREETS

Loyola Marymount University William H. Hannon Library Digital Commons

April 2019

 

MALE GAZE THEORY AND RATMANSKY: 

EXPLORING BALLET'S ABILITY TO ADAPT TO A FEMINIST VIEWPOINT

Loyola Marymount University William H. Hannon Library Digital Commons 

April 2018

 

RESTRAINT AND VULNERABILITY:

MONICA YOUN'S MEDITATION ON THE FEMALE BODY

Criterion Journal of Literary Criticism

March 2018


THE CENTER WILL NOT HOLD CELEBRATES RESISTANCE IN THE BEST WAY – WITH DANCE

Bachtrack

June 2025


MUSIC FROM THE SOLE IS HERE TO STAY

Bachtrack

October 2024


DANCE THEATRE OF HARLEM PUSHES THE BOUNDARIES OF BALLET

Bachtrack

August 2024


THE LAST DANCE

LA Dance Chronicle

August 2020


MAKING A STATEMENT: CRYSTAL PITE & THE QUEST FOR A QUALITY DANCE VIDEO EXPERIENCE

LA Dance Chronicle

April 2020


The Water Between Us

published January 2021

Born to break our hearts, these exquisite, dusk-blinding, quotidian and cancer-que poems seem to bruise easily, seem to breathe the language of queerness with such tender accusation, seem so fearless in their candid vulnerability. How can one not love a collection that has the following lines in its last two stanzas: “god is a highchair toddler / who laughs when her feet touch the grass”?  or ends one of its poems with this ideal cheekiness: “The Spanish word for dress / is masculine.” These raspberry colored poems here are so smart and so transformative that they are capable of teaching anyone’s tea kettle how to stop sweating entirely. 

~ Vi Khi Nao, Judge of the Charlotte Mew Chapbook Contest  

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